Get a fast start on your next paper mache project or hand-made gift with Jonni’s easy downloadable patterns for masks, animal sculptures and faux trophy mounts. The patterns help you create a beautiful work of art, even if you’ve never sculpted anything before.
[symple_box color=”yellow” text_align=”left” width=”100%” float=”none”]
Important Note: I used drywall (plaster board) for the pattern on this project, just to see if it would work. It didn’t! Use cardboard, instead. I also used Super Sculpey as the form for the head and I forgot to remove it after the paper mache was dry, like I should have. The oil in the modeling clay seeped through the paint and ruined part of his face. It took about a year for the spot to show, but then it just kept getting bigger. I also used Super Sculpey for my giraffe head -but I did it right that time, and cut the head open to remove the clay. Live and learn. 😉
Yesterday I started to make a paper mache horse. (See the first post here). To be slightly more accurate, it will, I hope, look like an appaloosa colt when it’s finished.
Yesterday I made a full-sized sketch and cut legs from plasterboard, using the sketch as a pattern. Today I used the same pattern to cut out the torso, neck and head of the colt out of cardboard.
You can see that I began to build up the volume of the chest and abdomen areas. I then used masking tape to attach the legs that I cut out yesterday.
I made sure the piece would stand up on it’s own, and it feels fairly stable.
Then I began to build up the muscles of the legs, shoulders and hips using newspaper and masking tape, and put more crumpled paper on the abdomen to round it out. I have not even started thinking about the neck and head at this point, although I am starting to get a bit worried about what I’ll make the mane and tail out of. But that’s a problem for tomorrow.
Then I put one layer of paper mache on the torso area, using newspaper strips and paste made from flour and water. The modeling isn’t even close to being finished, but I put on the paper mache because it holds much more securely than the masking tape. Once the paper and paste has dried hard I won’t have to worry about the legs moving. It also covers up the sloppy masking tape, so I can more easily see the true shape of the form.
Tomorrow I’ll round off the lower part of the legs a little, and use joint compound to finish the modeling of the muscles on the legs. I’ll use the compound instead of the paper because it’s heavier, and I think it will help make the sculpture a bit more steady on its feet. I also hope to get started on the neck and head, and figure out what to do about the main and tail – any suggestions are welcome.