Note: I love my giraffe, even after all these years. That’s why I created a new pattern based on him. The new pattern creates all the shapes for you, so there’s no need to learn how to sculpt that beautiful, complicated face. It’s way easier than the way I did it the first time! To see the new giraffe pattern, click here.
How to make a paper mache giraffe:
I made this giraffe ten years ago, before I made my life-sized baby elephant. At the time, this was the largest paper mache sculpture I’d ever made, and part of the process wasn’t very pretty. In fact, I stopped taking pictures before the project was complete.
In fact, there were many times during this project that I didn’t believe it would ever work. I’m glad I kept going, though, because I’m very happy with her.
Several readers asked for more detail about how this project was done, so here goes. I’m afraid you’ll have to use your imagination towards the end, because I don’t have photos of all the steps.
Making the Neck
The project began with a cardboard tube that I made from pieces cut from a cardboard box. I cut several notches out of the tube in the areas where I wanted the neck to bend, and then taped it all back up again. You can see the progression from a straight tube to a curved “neck” below.
Before adding the head or any paper mache, I needed to weight the neck. Otherwise, the head would cause the sculpture to fall over. To do this I cut a circle of cardboard and cut notches into it, then folded it up to make a bottom for the tube. I then cut the tube almost all the way through about eight inches from the bottom, and taped the new circular piece inside.
I put some plastic cut from a kitchen garbage bag into this bottom piece of the neck and poured in some plaster. When the plaster was hard, the bottom piece was taped back onto the rest of the neck. The photos below show how this was done.
Modeling the Neck and Head:
As you can see in the photo above, a lot of crumpled paper and masking tape was added to give the neck its tendons and general shape. Once I was reasonably satisfied with the shape, I added several layers of paper mache. The first layer was made with strips of newsprint and flour and water paste, and the second layer was made from brown paper and paste. Some additional smoothing was done with joint compound, not shown.
– When I first discovered that you could use joint compound to smooth a paper mache sculpture, it made things so easy I thought I was “cheating.” Now I can’t imagine not using this inexpensive product, which you can find at any hardware store. You can see this being used on several other tutorials on this site.
The photo below shows that I first tried to add the head, made from crumpled paper and masking tape, before adding any paper mache to the neck. I can’t remember why I removed the head, although I believe it was because the shape wasn’t quite right and I wanted to do it over.
Anyway, at some point a basic form for the head was added using paper and masking tape, and I then used Sculpey modeling clay over this basic form to build up the details of the head.
In the second photo below you can see this in process. Unfortunately, this is where I stopped taking photos. I had decided at this point that I wouldn’t be writing a detailed tutorial. And frankly, it was so exciting at the moment when the Sculpey suddenly became a giraffe that I didn’t want to stop and take photos. The sculpture was finally working, after spending days wrestling with the cardboard to form the neck.
When I was satisfied with the clay sculpture, I added several layers of paper mache and allowed it to dry.
I then performed a very delicate operation to remove the clay from inside the head. I felt the weight of the head would make it too easy for the sculpture to be knocked over by one of my playful dogs, even though the bottom of the neck was filled with plaster.
The head was cut in half, the clay and crumpled paper was removed, and the head was immediately put back together with strips of brown paper and paste. If the pieces are not put back together immediately they warp as they dry, and the two halves will not fit together.
With the underlying Sculpey and crumpled paper removed, the head is completely hollow.
Finishing the Giraffe
The ears were then added,Â using cardboard pieces cut out of a cereal box. I made the mane from four long strips of corrugated cardboard. I spent a long time cutting “hair” into the strips by cutting almost all the way through the strips a few hundred times. I then notched the side of the two outside strips that would attach to the giraffe, so I would have tabs to tape over. The two inside strips were cut narrower, and glued to the outside pieces. The mane was then attached to the neck with strips of brown paper and paste.
The sculpture was then covered in several layers of glue based gesso, which I made from:
- 2 parts PVA glue (Elmers or Carpenter’s glue)
- 4 parts water
- 8 parts calcium carbonate (marble dust)
- And 1 part titanium or zinc white pigment, by volume.
Don’t feel you need to run out and buy these items. Ordinary gesso from the art store would work fine. Or use this (cheaper) recipe, which I now use instead.
I then added the spots by mixing some home-made gesso using natural pigments – but acrylic paint would work for the spots. The eye was painted black with acrylic paint, and then a finish coat was applied.
You can see the mane a bit more clearly in the photo below, plus the odd shape that the head has when seen from the top:
She looks very strange from the top.You can see that the eyes bulge a lot, and you can’t see the actual eyes at all from above. I think this allows the giraffe to have eyes focused on the ground, where their natural enemies might be lurking.
I used a lot of photos from the Internet to see how giraffes are built. I learned some interesting things while doing my research. Of most importance to me as an artist is that every species of giraffe has a different pattern of spots. My giraffe is a total mutt, and does not reflect any particular species or geographic area.
I also learned that biologists are still arguing over how many vertebrae giraffes have in their necks. You would think they could just count them after a giraffe dies in a zoo, but what do I know?
If you make a giraffe of your own, please let us see how it turned out.
My new giraffe pattern creates all the shapes for you, so there’s no need to learn how to sculpt that beautiful, complicated face. To see the new giraffe pattern, and watch the videos, click here.
54 thoughts on “How to Make a Paper Mache Giraffe”
Great thingy. your giraffe looks great???
Jonni, I enjoy you beautiful, creative art every time you post. You are so kind to post all that you do which helps the artists who are sculpting these grand animals. I am not an artist and never studied art at all. I have made a few simple forms from plaster and used paper linters to make the cast (is that the right word? ). I have found some unusual molds in wood and used paper linters to make to make paper mâché to make the mold. I get mold and cast confused. I wish so much that I had someone to study with. I made a batch of paper mâché from linters and molded it over a beautiful sculpture of cherub faces. I entered it in a member guest show at our art museum. I was shocked because I was given Honorable Mention. I was very pleased, because I am not an artist, I just want to be.
You amaze me with your talent. Thank you for sharing.
Hi Martha. It sounds like you’re already an artist, if you got Honorable Mention at a show held in an art museum. And I’ve never had any art training, either – unless you count all the books I’ve read and all the practice, which I think is the best training you can get. I’d love to see some of your work. Would you be willing to share a few photos? The Daily Sculptors page is the best place to share your work, since more people would see it there. You’ll find the link at the top of this page.
Jonni, boa noite!
Parabéns!!! Amei sua girafa!
Amo girafas e estou querendo fazer uma girafa. Tenho uma dúvida : Finishing the Giraffe: O que é ( 1 part titanium or zinc white pigment, by volume?) e (glue based gesso?).
Hi Eda. I no longer use the same recipe for my gesso, because I found an easier one, although the ingredients aren’t available everywhere. The titanium or zinc white pigment in the glue-based gesso recipe refers to the powdered pigments that are the color base of acrylic or oil paints. It’s expensive, but that’s what the original recipe called for. You can achieve the same thing by just adding enough white acrylic paint to make the gesso nice and white. It will also help make it opaque.
Obrigada Jonni. Já comecei minha girafa. Quando eu terminar, mostro para sua avaliação, afinal, és a mestre. Muito obrigada!
Google translator, rs
Thank you Jonni. I already started my giraffe. When I finish, I show you for your evaluation, after all you are the master. Thank you!
Great – I look forward to seeing your giraffe!
Olá Jonni, tudo bem?
Terminei minha girafa, a primeira e a segunda. Tenho progredido. Não sei se posso postar as imagens aqui. aprendo muito com você. Obrigada! Beijos!
Hi Eda. Yes, please do post a photo of your giraffe. We would love to see it!
My lovely giraffe made in Kenya has lost one of his ears. Do you have a pattern from which I could construct a new one?
Hi Megan. That’s too bad about your giraffe. Their ears are long triangles. The bottom of the triangle is curved into a circle, with the top edge folded more than the bottom edge. You would want to cut your new ear to match the one on your sculpture, so I’d suggest using a piece of copy paper, place it around the remaining ear, and trace around it. Then both ears will match.
Good luck with it! I hope your giraffe gets well soon.
Im a great fan of your work its so inspiring!! Ma’m need i help in making a wearable giraffe and jackle masks.
Hi Nagasri. The extended tutorials about the wolf mask and the Commedia del Arte Mask â€“ Pantalone mask might be helpful. You can find all the links to the posts for those subjects by scrolling down the Extended Tutorials page, here. Good luck with your project!
Hi again. I prepared another email and don’t know if it was sent. I just reviewed part 2 of your giraffe and neck and was impressed. My home is decorated in safari style. I had a life-sized, realist giraffe head and partial neck sculpture. Unfortunately, last week, a cabinet installer caused it to fall from its 8 foot high perch and shatter.
I need to replace it but do not have the skills to do so as a craft. I would greatly appreciate any information about who may be available to replace my giraffe. My telephone number is 561 742-9400. I thank you in advance for your early reply.