How to Make Paper Mache – The 5 Basic Steps

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If you want to know how to make paper mache, this post is for you.

Paper mache (or papier-mâché, if you prefer to say it with a French accent) 🙂 ) is a versatile sculpting material for artists of all ages. It’s a fun way for kids to create their first sculptures, but it can also be used to create museum-quality works of art – and anything in between. (To see some of the paper mache art that our readers have submitted, click here.)

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All paper mache projects start with these basic steps:

  1. Create an armature for your sculpture, or find an object that has the shapes you want for your project.
  2. Make some paste, or  mix up some paper mache clay. (I show you how to find the free recipes below).
  3. Apply the paper mache to your form.
  4. Allow the paper mache to dry all the way through.
  5. Use acrylic paint to decorate your paper mache sculpture and seal your sculpture with acrylic varnish.

Step 1: Creating a Form or Armature

Wet paper stuck together with paste has no particular form of its own, so the real sculpting happens when you build your armature. Take your time with this step, because it’s important.

Many of the sculptures on my site were made using a cardboard pattern inside. I don’t go into that here, but if you’d like to try that method, you can see how the patterns are made here.

Armatures Made with Crumpled Paper and Masking Tape:

For years I created my animal sculptures with crumpled paper and masking tape.

That’s how this little dragon was made. Newspaper was crumpled into the shapes of the body, legs and head, and then held together with masking tape.

Paper Mache Dragon, Step 4
Dragon made with crumpled paper and masking tape.
Paper Mache Dragon, Step 9
After covering the form with paper strips and paste, and painting him, the dragon looked like this.

Armatures Made with Crumpled Foil and Hot Glue:

To get even more detail in your armature, you can use crumpled foil held together with hot glue. This method is a little more expensive, and the glue gun can burn you if you aren’t paying attention.

However, if you’re careful it can be a lot easier to make an armature with foil instead of crumpled paper. The paper tries to un-crumple itself while you’re getting the tape off the roll. The foil doesn’t do that, so it’s easier to use.

If you’re going to cover your foil form with paper strips and paste, you’ll need to cover the foil with masking tape, first. The paste doesn’t like to stick to foil. However, if you’re using paper mache clay, no masking tape is needed.

This little owl was made with a foil armature.

Paper mache owl armature made with foil
Paper mache owl armature made with foil.
How to Make Paper Mache - The 5 Basic Steps
How the little owl looked after he was covred with paper mache clay and painted.

Found Objects:

Many paper mache items can be made over objects you find around the house. This paper mache bowl was made using a small ceramic bowl for the form. Our friend Rex Winn uses plastic bags to make the forms for his pumpkins, and many people make masks using milk jugs or paper plates.

How to Make Paper Mache - The 5 Basic Steps
Pressing colored paper mache clay into a bowl.
Easy Paper Mache Bowl
The finished paper mache bowl.

Paper Mache Over a Clay Model:

Gerda left a comment to remind us that you can use clay to sculpt a form, and then cover the clay with paper mache, like I did when I made my African Mask, and when I made a strange helmet mask years ago. (That video isn’t very good, but I really like the mask. 🙂 )

Paper Mache Over a Wire Armature:

Patricia mentioned that she often makes armatures with either chicken wire or aluminum mesh. It’s traditional to make paper mache parade floats with a chicken wire form, but I’ve never tried using it myself.  Patricia points out that large sculptures made that way are very light because they’re hollow.

Aluminum mesh is a really good armature choice for large flat areas, like elephant ears or the wings on my big dragon, that might warp if you used cardboard covered with paper mache. 

Scroll down to the comment area to see Gerda and Patricia’s comments.

Step 2: Make Your Paper Mache

You can cover your form with paper strips and paste, or with a mixture of pulped paper that has been mixed with some kind of binder or glue.

Paper mache clay:

On this site, many of the projects use paper mache clay, a mixture I invented that contains soaked paper, Elmer’s glue, drywall joint compound, and oil. You can find the printed recipe (and many variations for it) on this page. 

Watch this video to see how the original paper mache clay recipe is made:

Paper mache paste:

For the more traditional way to make paper mache, you’ll use paper strips and some form of paste to apply the paper strips to your armature. The easiest paste recipe is just flour mixed with warm water.

You can see how easy it is to mix in this video:

Many people worry about mold if they use a paste made with flour and water. This can be a real problem if the paper mache doesn’t dry quickly.

However, mold can’t grow without water, so make sure your sculpture dries fast, and then seal it with varnish so it can’t absorb water from the air.

Watch this video to see how to keep mold from ruining your sculpture.

Another (minor) problem is that you’ll need to make a new batch of the flour and water paste every day, because yeast from the air tries to turn it into sourdough starter. When that happens, the paste doesn’t smell very good and it isn’t as sticky.

Flour and water paste doesn’t cost much, though, so just throw it out at the end of your sculpting session, and start with a new batch in the morning.

Paste with no flour (and no mold!):

A really good alternative to home-made paste is Elmer’s Art Paste. It’s gluten-free and will never attract mold. It’s a great paste to use in a classroom, because the small carton makes up an entire gallon of paste that you can keep using for months without it going bad.

Elmer’s Art Paste isn’t quite as sticky as traditional paper mache paste, but if you’re teaching kids how to make paper mache sculptures, or if you live in a hot, humid climate where nothing ever seems to get dry, this is the paste you’ll want to use.

Make paper mache with glue:

A lot of people like to use Elmer’s Glue-All or Elmer’s School Glue for paper mache. Mix it with a little water before using it. That helps soften the newspaper so it will lie down flat on your form.

You can also use Titebond Wood Glue, for a really strong, fast-drying paper mache.

Be sure to see this page for more recipes and videos for paper mache paste.

Step 3: Apply the paste or paper mache clay to your form.

Applying paper mache clay:

To use the paper mache clay, just mix it up and apply it over your armature with a knife. It’s a lot like frosting a cake, but you’ll want to use a very thin layer so it can dry quickly. The Egyptian Blue Hippo below was made with a foil armature covered with a very thin layer of paper mache clay.

William the blue hippo
A copy of the famous Egyptian Blue Hippo, made with foil and paper mache clay.

You can find many tutorials for animal sculptures made with paper mache clay on this page, and in my book Make Animal Sculptures with Paper Mache Clay.

Applying paper strips and paste:

You’ll want to use paper that’s soft enough to bend over the curves of your form. You also need to tear off all the cut edges, because they will show as straight lines on the finished sculpture. The torn edges kind of melt into the shapes, so they look better.

There are some tricks to getting the paper strips to lie down flay (or should I say “lay down flat?” I don’t think I ever get that right! 🙂 ) You can see some tips for applying your paper mache in the video below:

Step 4: Let your paper mache get dry all the way through.

The one biggest mistake people make with paper mache is not letting it dry long enough before painting it. If you seal any moisture inside, there’s a very good chance that mold will start to grow. You’ll eventually see it as dark spots on the outside of your sculpture, and at that point there’s very little chance of saving it.

So give your sculpture plenty of time to dry! Paper mache is not an ‘instant’ sculpting material. Here’s a video that talks about how long it will take for your paper mache project to dry:

Step 5: Paint it!

This is the exciting step that brings your paper mache sculpture to life.

I often use an acrylic gesso before I paint my sculptures, because it seals the paper mache and gives you a nice white surface to paint on. It seems to make the colors brighter, and you don’t need as much paint to achieve the look you want.

However, I have painted a lot of sculptures without gesso, so it’s really optional.

I always use acrylic paint, but you might want to experiment with oil paint or watercolors.

When your paint is dry, be sure to seal it and protect the paint with a coat of acrylic varnish. I love using the Deco Arts Ultra Matte varnish, because I don’t like a gloss varnish on my animal sculptures.

However, there are many types of sculptures or decor objects that look best with a shiny varnish, so choose the one that will give you the look you want.

Basset hound made with paper mache clay
Basset hound, painted with acrylic paint.

Now Your Paper Mache Sculpture Is Done!

Be sure to show it off on the Daily Sculptors page so we can all see how it came out. After all that work, you deserve to brag a little! 🙂

19 thoughts on “How to Make Paper Mache – The 5 Basic Steps”

    • Hi Kim. I put duct tape on my big dragon, although I can’t remember why. The paper mache clay did stick to it. I can’t remember what brand of tape I used, though. You might want to do a small test to make sure it will work with the tape you have.

      • Does paper mache stick to plastilina clay? I have a sculpt ready to add paper mache to bu don’t know if I need to cover with petroleum jelly or not.

        • In my experience it’s a lot easier to get the dry paper mache off the plastilina clay if you use the petroleum jelly. It doesn’t seem to hurt the clay, but I suppose it might make it slightly softer.

  1. Thank you, dear Jonni for this very useful and thorough tutorial!
    In the future I will pay more attention to my armatures!
    Though, I once made an orc head which was hollow, it didn’t need an armature, because I first made the head from real clay and used that as a mould which I covered with paper strips and paper mache clay. When it had dried thoroughly, I had to cut the head in halves to remove it from the mould, then glued the halves together and gave it another layer of paper m. clay. Then I painted and varnished it. It was a very strong head!

      • Hi, Jonni, yes I have, and I did show it to you a few years ago.
        Do you want me to post it in the group where people show their art works? If so, please tell me how I should do that.

        • P.S.
          I found the place (Daily Sculptors, I think it was), but I don’t know if the photo got uploaded.

        • That would be great! The only work we have of yours that can be found with the search bar is your Witcher’s Head Dress (which is fabulous, by the way). You probably showed us your Orc through the old system that put images in comments. The search system doesn’t find things in comments, and there are over 40,000 comments on this site, so nobody reads them all. If you post it again on the new form, people will actually be able to find it. 🙂

          Just go to the Daily Sculptors page and hit the yellow button to find the form. I edited the post, by the way, to include your tip about using clay as a form for paper mache. I’ve done it many times myself – I don’t know why I forgot. Thanks so much for reminding me!

  2. Very helpful tutorial. I learned how to do paper mâché using chicken wire or a much smaller gauge screening to build my basic shapes. You use way less material since a rounded body shape would be hollow and the screen/wire is very bendable. I cover with paper strips and then add your paper mâché clay recipe for detail. It is just recently I’ve started using cardboard armature and filling in with foil. I guess there are many ways to achieve your desired shape. I just thought I’d add this idea. I love your work and site. It is wonderful!

    • Pat, I have never used the chicken wire method, (the sharp points of the cut wire scare me because I’m a big chicken…) but I know a lot of people do it that way. Have you have ever taken progress photos of one of your projects? If you have, would you be interested in writing a guest tutorial for the blog? I’d really like to see how you do it. You might even convince me to give it a try. 🙂

      • Jonni, more than chicken wire, I use a finer grade hardware cloth most of the time. I’ll have to check and see if I have any pics of a piece in progress. I think all I have is one already covered in paper strips. I also don’t use a pattern. I just wing it and it works for me. If you check my website, you’ll see that the pieces come out looking pretty good I think. I will check and see if I have a photo of a piece in progress and let you know.

  3. Very thorough tutorial! I agree with the first first and most important step being armature. I have a tendency to underthink that part and end up kicking myself later.


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